A long kept secret of lost classics, John Wonderling’s debut LP was ill fated from the start, despite boasting a deep bench of session players. Wonderling made his mark as the writer…
Hey I’ll take any opportunity to throw another heap of praise on Ty’s latest album and the new video for “Break A Guitar” is just another great collaboration with Segall’s video steady…
Admittedly it’s been a good year for psych, with plenty of releases edging their way up into album of the year territory. Now there’s another one to add to the list, Copenhagen’s…
I’ve had a soft spot for The Babe Rainbow in the past and they’re scrubbing up and crystallizing their sunshine pop from the sounds of it. They finally have a full length…
Perth’s Mt. Mountain stretch out heavier and headier than ever before with a record that evokes the endless stretches of outback, scorched earth futures and shamanistic auras. The record opens with a…
Light In The Attic are absolute masters at digging up the past and their latest series fills an essential hole in the cataloging of Japanese music. They’re beginning the series with three…
Rather impressively, Matthew Melton has not one, but two records slated for the next couple of months. First up, he sends his tenure i Warm Soda off in style, delivering a fourth…
Melbourne’s Mystery Child come with a crack team behind the boards (King Gizz’ Stu McKenzine recording/Mikey Young mastering) and they deliver on the hopes of those that have taken them in. Their…
Well, it should be no small secret that I love Mikey Young around here. The Aussie veteran of bands like Eddy Current Suppression Ring, Ooga Boogas and Total Control has gone on…
Like many, Woods turned to art and music to process their feelings following the fallout of 2016. Love is Love was recorded in the two months following last year’s election. It feels,…
HoZac has been doggedly reissuing lost singles from power pop legend Dwight Twilley and this time they’ve got a real gem and true fan release on their hands. Pre-dating The Dwight Twilley…
While the new crop of Australian indie is being etched and codified presently, US archive house Anthology has been doing their best to begin to dig into the independent ’60s and ’70s…
It’s hard to suppress a smile with the news Kikagaku Moyo is back for another round on the speakers so soon after their lush masterpiece House In The Tall Grass landed last…
Austin’s Xetas have been carving out a gnashed and gnarled existence on 12xU for a couple of releases yet, but The Tower arrives as their most bracing and simultaneously fun album yet.…
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