This wasn’t quite what I was expecting when I’d heard that members of Cheap Time and Heavy Cream were teaming up for a new band. Both were RSTB faves and both traded…
It wasn’t a huge surprise when Kevin Morby made the move to Dead Oceans. He was due for a wider stage. His last album, Still Life was a leap forward from his…
Second single from Kikagaku Moyo’s House In the Tall Grasses dips in with the same pastoral psych that led off on “Kogarashi” but as the band nears the culmination of the ten…
Visitors were an Edinburgh post-punk band that caught the favor of John Peel, who featured them on his radio show a few times and even financed their second single, “Empty Rooms.” Sadly,…
Another drink from the well of King Gizz’ upcoming Nonagon Infinity and this one seems to be a continuation of the musical themes in “Gamma Knife.” The song has the same intensity,…
Goat returns with another single, following up on last Fall’s “It’s Time For Fun” 7″. The new lead track doesn’t burn so hot as their past albums, but like that previous small…
Pony Time are creating a pretty danceable racket with just bass and drums, knocking the garage-pop formula askew and finding their solace in a quick wit that’s underscored by chunky as hell…
Creeping into the sheets of Britpop’s glam hangover and smudged with post-punk’s rhythmic charms, Drinking Flowers are finding a hazy medium between driving pop and smokey psychedelics. Their album on Manifesto is…
Phew, are Woods already on their ninth album? Did I read that right? Its a little hard to believe, but back when this site began a few downloaded tracks and a CD…
The crux of Marc Kate’s Despairer is, not so surprisingly, despair. His self-proclaimed “Ambient Materialism” structures fill the air around the listener but never blend into the woodwork, never seep into the…
Its always nice to see longtime RSTB faves grow to the kind of widespread attention they deserve. Steve Gunn has been a fixture on the site for quite a while and his…
Its a little hard to divorce Charles Mootheart’s work from that of his longtime collaborator and often bandmate Ty Segall. There are a lot of the same influences, styles and obsessions at…
Moving into a lusher headpsace than on previous LPs, Vancouver’s Spectres are nailing a classic post-punk sound that seems slotted nicely between The Sound’s “Heyday” and early Cure singles. “Strange Weather” is…
Springing from the remains of International Harvester and Persson Sound, both groups worth peeking into in their own right, Träd, Gräs och Stenar (Trees, Grass & Stones) was at the forefront of…
Raven Sings the Blues started as an MP3 blog back in 2006, when such a thing existed. Eventually it evolved into a daily music review site focusing on garage, psych, county, experimental, indie and crucial reissues.
The site is written and maintained by Andy French.






























